VEKKS & KostNixLaden
Ratschkygasse 14/1 (Eingang Erlgasse) 1120 Wien
Tel.: +43(0)681 10619938
Email: georg.stejskal@drei.at
26.10.2026 19h30 Einlass
Master Oogway
(Håvard Nordberg Funderud - Lauritz Skeidsvoll -
Karl Erik Horndalsveen - Martin Heggli Mellem)
Master Oogway
could be the elderly turtle from the Kung Fu Panda Movies, but in this case it’s a Norwegian band. Since Master Oogway’s beginning in 2015 they have released four albums and
toured Scandinavia, Europe and Japan with their highly energetic, psychedelic, free jazz-punknoise- whatever-music.
Their latest album A Lot of Music About Everything (Nice Things Records, 2023) is their most gnarly album so far. JazzWise wrote the following about it: "Master Oogway feels like a wild
workout, challenging each other with crazy turns designed to end in a crash.»
Expect the band’s fifth record next spring!!
Håvard Nordberg Funderud - guitar
Lauritz Skeidsvoll - saxophone
Karl Erik Horndalsveen - bass
Martin Heggli Mellem - drums
7.11.2026 19h30 Einlass
Nikola Vukovic & Daniel Bierdümpfl
Daniel Bierdümpfl und Nikola Vuković sind ein junges, in Wien beheimatetes Duo, das improvisierte Musik spielt. Obwohl sie noch nicht lange zusammenspielen, haben sie ein Vertrauen entwickelt, das es ihnen ermöglicht, sich gegenseitig herauszufordern und in neue Ecken und Kanten zu führen, die sie bisher noch nicht erkundet haben.
Sofía Escamilla cello (MX)
Paula Sánchez cello (AR)
Sandra Muciño fagott (MX)
Emilio Gordoa drums (MX)
DE
Paula und Sofia begeben sich erneut auf Tournee – mit einem Konzert, das erweiterte Celli, freie Improvisation und die Magie der Streichinstrumente in den Mittelpunkt stellt.
Sandra und Emilio werden mit Blasinstrumenten und Percussion zusammenkommen, um Stimmungen und Klangtexturen zu schaffen, die von Gestik und spontaner Interaktion getragen werden.
Um den Abend zu einem Ritual zu machen, werden sie diese Dialoge zusammenführen und in eine einzige kollektive Klanglandschaft verwandeln.
EN
Paula and Sofia are hitting the road once again for a concert featuring expanded cellos, free improvisation, and the magic of bowed strings.
Sandra and Emilio They will converge through wind and percussion to create atmospheres and textures driven by the gesture and sponteanous interaction.
To expand the evening as a ritual, they will bring these dialogues together to transform them into into a single collective soundscape.
12.11.2026 19h30 Einlass
FreeForms
-> ein freier dialog der kreativen : tänzerinnen, musikerinnen, malerinnen, poetinnen und dem publikum ; das nicht existente JETZT greift auf raum und zeit zu. die FREIE KOMMUNIKATION rückt ins zentrum;
-> frei im sinne von in „augenhöhe, in gegenseitiger akzeptanz; hierarchie befreit bzw. befreiend“, offen kommunizierend und grenzen überschreitend. FREE FORMS ist offen für alle genres soferne sie sich dem freien, offenen, kreativen dialog aussetzen wollen.
-> Free Forms Vienna ist teil der internationalen FREE FORMS bewegung, weitere Termine siehe unten.
------------------- ENGLISH -------------------
-a free dialogue of the creative : dancers, musicians, painters, poets and the audience ; the non-existent NOW accesses space and time. the FREE COMMUNICATION moves into the centre;
-free in the sense of "on an equal footing, in mutual acceptance; liberating hierarchy", communicating openly and transcending boundaries. FREE FORMS is open to all genres as long as they want to expose themselves to free, open, creative dialogue.
Free Forms Vienna is part of the international FREE FORMS movement.
Kultur Verein Limmitationes
www.limmitationes.com
https://t.me/limmitationes
hören und sehen
- www.youtube.com/@freeformsINTERNATIONAL
- https://youtu.be/51fn6YfDFoY?si=cO9w44yTjgztLJtY
- https://youtu.be/g8ko_VnNrM4?si=9slvO6v2harRWNCH
- https://youtu.be/F5_MhN01Pgo?si=_aXKauQnHAc5hAc8
13.11.2026 19h30 Einlass
Juke Mushino
Ternoy - Cruz - Orins
Juke Mushino
is a bassist from Tokyo, Japan.
He also creates collage art, designing the cover art for nearly all of his own releases himself.
Drawing inspiration from free jazz, industrial music, and surrealism—as well as memories of the natural landscapes and industrial facilities of his hometown—he performs improvisational music using a single fretless bass and a few effect pedals.
He is energetically dedicated to pursuing his ideal of elegance and to establishing and sharing his own aesthetic.
In addition to his solo work, he is active in projects such as "Amber Transfection" (utilizing a smartphone sampler app), the duo "PSY=GROAN" (featuring noise vocals), etc.
Ternoy - Cruz - Orins
Playing electrified for several years now as Toc, Jeremie Ternoy, Ivann Cruz and Peter Orins wanted for a long time to unplug jacks and explore acoustics and minimal space that provide a real piano, classical guitar and a not too noisy drums…
Going opposite of what characterizes Toc (energy, density, volume, excess…), the trio plays here on the timbre of acoustic instruments, the minimalism of the musical proposals and active listening, from musicians and audience. Always improvised, this music reflects the diversity of approaches of the three musicians, who never hesitate to go where they’re not expected.
It evokes distant lands, its music is an imaginary and poetic journey through areas and soundscapes full of freedom.
Jérémie Ternoy : piano ; Ivann Cruz : guitar ; Peter Orins : drums
​
​Julien Chevalier mandoline, guitar, backing vocals
Paul Loiseau percussions, vocals
Eric Pasquereau vocals, guitar
Elia Guerin synth, vocals
Formed by songwriter, singer, and guitarist Eric Pasquereau—known for his work with Papier Tigre, La Colonie de Vacances, and The Patriotic Sunday—alongside multi-instrumental tightrope walkers Julien Chevalier and Paul Loiseau (La Terre Tremble!!!, Borja Flames), and recently joined by keyboardist and vocalist Elia Guérin (JoGo, Bleu Shinobi), CLAPTRAP have spent the past six years crafting a singular musical language.
Their sound unfolds as a kind of progressive, tropical pop: a wayward post-bossa, warm yet melancholic; a baroque exotica that is at once danceable and experimental. It emerges through an improbable instrumentarium—Mediterranean mandolin, non-orthodox percussion, science-fiction synths, weathered guitars—woven into lush, intricate arrangements that feel both meticulous and on the verge of collapse.