VEKKS & KostNixLaden
Ratschkygasse 14/1 (Eingang Erlgasse) 1120 Wien
Tel.: +43(0)681 10619938
Email: georg.stejskal@drei.at
Perpetual Possibility:
Solo performance for voice and live electronicsIt's an electro-acoustic work dedicated to T.S. Eliot 'Four Quartets' verses, in which vocals are modulated to create different rooms of textures and words.
The record came out october 2022 for the swiss label Hout Records.
https://camillabattaglia.bandcamp.com/album/perpetual-possibility-2
https://youtu.be/29VbdqMcFjw?si=VAqNE71KYeCWaiiy
https://www.citizenjazz.com/Camilla-Battaglia-les-voies-multiples.html
Workshop
Italian singer, composer, and improviser Camilla Battaglia lands in Vienna for a double workshop session. The afternoon kicks off with a focus on vocal technique and improvisation (15:00-16:00), followed by a session open to all instruments exploring combo dynamics, real-time composition, and solo construction (16:00-18). Battaglia, a professor at Siena Jazz University, brings a practice that bridges music, poetry, and sonic exploration. The event is held in English.
12.6.2026 19h30 Einlass
Camila Nebbia/Gonçalo Almeida/Sylvain Darrifourcq
Martin Philadelphy & Dora Bleu
Camila Nebbia // Gonçalo Almeida // Sylvain Darrifourcq
When three singular voices converge in the volatile terrain of free jazz, boundaries dissolve and raw emotion takes center stage.
In this electrifying trio, saxophonist Camila Nebbia (Argentina), bassist Gonçalo Almeida (Portugal), and percussionist Sylvain Darrifourcq (France) ignite a sonic ritual rooted in a tradition of liberatory, high-intensity improvisation music driven by urgency, rupture, and the search for new sonic truths.
With an unrelenting commitment to intensity, the trio forges an ever-evolving dialogue where sound becomes matter, time bends, and silence gains gravitational weight. Every gesture be it whispered multiphonics, bowed metal, or overdriven arco, carries the tension of restraint and release.
But it’s not all combustion. Within the fury lies a deep sensitivity to space and detail. Between explosive peaks, the music breathes, revealing microscopic textures and fractured melodies shaped by extended techniques: Nebbia’s vocalized saxophone cries and circular-breathed drones; Almeida’s prepared bass and subterranean growls; Darrifourcq’s fractured rhythms and sonic interventions, all serving a collective language of radical exploration.
This trio doesn’t perform songs, they construct environments. Each set is a unique landscape of friction, collision, and resonance. Expect moments of brutal intensity, shimmering lyricism, and sonic disorientation. This is music on the edge of control, where vulnerability meets force, and where abstraction becomes profoundly human.
Martin Philadelpy
is a composer, guitarist, songwriter, improvisational artist, and experimental musician.
Dora Bleu is a composer, storyteller and experimental musician working in the dreamlike, uneven, and intimate, exploring the geopowers of the psyche. Together they work between composition and improvisation interweaving narrative and song, theater, poetry, guitar work and drone.
Philadelpy composes songs and instrumental pieces for his own ensembles, as well as for dance theater and films and has set poems to music for songs by Robert Gernhardt, Hollace Metzger, Jane Le Croy, Thomas Nyx, Erich Pacher, and many others. Philadelphy has performed at the Copenhagen Jazz Festival, Saalfelden Jazz Festival, Klangspuren Schwaz, NYC Carnegie Hall, Donaufestival, and other venues large and small worldwide. Reviews of my work are available internationally. His own productions have been selected three times as “Recommended New Release” in NYC Jazzrecords magazine.
www.philadelphy.at
Dora Bleu
is currently working with Zone Null (Burkhard Beins and Tony Eliah), and Uwe Moellhusen on storytelling projects. Her most recent release last year on the Syrphe label was in a trio with Periklis Tsoukalas and Cedrik Fermont. According to African Paper, this CD, titled The Dream Border,
remains a “rapturous” work that unfolds its impact precisely through its alienations. The colleagues at Field Notes aptly described it as music that is “best understood as liminal; as a threshold between one world and another, [...] between pop songwriting and drone music.” (Translated from Deepl.) Das Album bleibt insgesamt ein “entrücktes” Werk, das gerade durch die Verfremdungen seine Wirkung entfaltet. Die Kollegen von Field Notes beschrieben es treffend als Musik, die “am besten als liminal verstanden wird; als Schwelle zwischen einer Welt und einer anderen, [...] zwischen Popsongwriting und Drone Music”.
Dora's prior recordings included a full length LP infused with the guitar work of Marc Ribot, titled Fascism’s Intimacy and released on Drawing Room Records in May 2019. From this record, the track “The Obvious” was featured in the Wire Tapper in March 2021.
19.6. - 21.6.2026
Planlos - 3 Tage improvisierte Kunst, improvisiertes Leben am Lande
Von 19.6. ca. ab Mittag bis 21.6. open end kann das Grundstück 7444 Klostermarienberg, Mühlweg 3 für Improvisationen in Kunst und Leben bespielt werden.
Imrovisierte Übernachtungsmöglichkeiten in Zimmern, mitgebrachten Zelten, Dachboden mit Stroh, oder auf der Wiese einfach so.
Improvisierte Speisen.
Improvisierte Kunst.
"Wir haben keinen Plan,
wir sind der Plan"
24.6.2026 19h30 Einlass
Luca Atzori
Delfina Cheb & Quique Sinesi
Luca Atzori
A suite for solo voice, inspired by the legendary figure of Vilgefortis, the legendary bearded saint. The songs cover a broad spectrum, from the diplophonic tones of the Khomei, Stgyt, and Kargira techniques to countertenor voices and flute voice.
Delfina CHeb & Quique Sinesi
Delfina Cheb ist eine Sängerin und Komponistin aus Buenos Aires, Argentinien, die die Schnittstelle zwischen Tango und zeitgenössischem Lied erkundet. Mit ihrer Musik versucht sie, Brücken zwischen Tradition und Moderne zu schlagen, wobei sie das Wort als Banner benutzt. Nach ihrem Master-Abschluss in zeitgenössischer Improvisation versucht Delfina Cheb, ihre eigene Sprache zu entwickeln, indem sie Roots-Musik synthetisiert und interpretiert und dabei Elemente aus Jazz, Trova, Free und Folk aufgreift.
https://www.delfinacheb.com/
https://www.instagram.com/delficheb/
Enrique „Quique“ Sinesi ist ein argentinischer Gitarrist und Komponist. Er gilt als einer der wichtigsten Gitarristen Südamerikas. Seine Musik basiert auf Tango, argentinischer Folklore und Candombe. In seiner Musik verbindet er klassische und Weltmusik, Improvisation und Jazz zu einem ganz persönlichen Stil.
4.7.2026 ab 15h
Sommerfest
Am 4.Juli veranstalten VEKKS und KostNix-Laden ein Sommerfest
◇ Erlgasse 27 / 1120 Wien ◇ 15:00
Ab 15 Uhr haben unsere Türen geöffnet und ihr könnt vorbeikommen, um euch in der Grätzloase zu sonnen oder unsere Vereine kennenzulernen.
Komm vorbei auf Snacks und Getränke! Es wird Live -Musik von drei spannenden Bands und Musikprojekten geben.
SquarEars
New Dawn Thread
LILLIE CREATURES
SquarEars
Es braust, kracht, brodelt und poltert.
Klangflächen entstehen, werden von Geräuschkulissen zerrissen, anschließend durch groovige Riffs zusammengeschweißt.
Das gesprochene Wort prallt auf gepickte Töne, angeschlagene Akkorde auf gestrichene Phrasen. Licht trifft auf Klang, Gedanken auf Emotionen.
Die SquarEars lassen keinen Stein auf dem anderen, sie drehen alles um und zeigen, was sich so im Unterholz verbirgt.
New dawn threads is a trio based in vienna trying to stitch archaic folk trance into a weave of improvisational garment that stretches itself across the audience. With Hurdy Gurdy, Voice and Electronics a soundscape is given, to lost in.
LILLIE CREATURES
repetition as a form of magic // oscillating through dreamlike
ambience and propulsive cycles. lo-fi-glow ritual dance with siren
acapella in half-speed.
Emerging from the trance-like continuity of multi-layered loop
structures, Austrian one-girl band LILLIE CREATURES explore
songwriting through the organic process of DAW-less live-sampling.
Otherworldly with a punk-hearted tweak, their trippy blend of
progressive space folk fuses haunting vocal harmonies, chants and
verses with acoustic guitar loops generating bass, percussion, and
hypnotic textures into an idiosyncratic micro-orchestra.
Launched in 2020 after studying fine arts in Japan, LILLIE
CREATURES emerged from the explorative atmosphere permeating
Tokyo’s visual arts and underground music scene. Following their
previous band 獣Kemono – an untamed avant-jam duo active until 2019
and formed with Japanese artist and cellist Haruno Kobori – and
solo expeditions as electric ambient somersault ANNA NU, its
genesis was inspired by whimsical improvisations at Shinto
shrines, art exhibitions and sessions in the grassroots orbit of
western Tokyo. Moving to Taipei from 2020 to 2022, LILLIE
CREATURES became embedded in Taiwan’s local indie and experimental
music scene, performing at venues and festivals around the island
before relocating to their hometown and now-base Vienna.
Equipped with voice, acoustic guitar and a battery of effect
units, LILLIE CREATURES draw elements of psychedelic, no wave,
traditional folk and process music into their own surrealistic
songscapes, unfolding as hybrid spells of transition and cadence.
www.lilliecreatures.com
https://www.instagram.com/lilliecreatures
https://youtu.be/Ljuh77G9f4c?t=1429
https://www.youtube.com/watch?v=h2J5hmR4FHw
